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The Poe Shadow
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The Poe Shadow
A Novel
Creators: Matthew Pearl
Publisher: Random House Publishing Group
Imprint: Random House
Pub. date: 05/23/2006
Lib. SRP: 45.00 USD
Ret. SRP: 15.00 USD
Format: Adobe PDF eBook
ISBN: 9781588365170
PublisherCatalogNumber: 128846
DRM Level: Adobe Content Server 4
Min. Version: Adobe Digital Editions
File size: 1504 KB
Languages:
   English
Subjects:
   Fiction, Mystery, Thriller, Historical Fiction
  null
Short Description:
   "I present to you . . . the truth about this man's death and my life."

Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. The public, the press, and even Poe's own family and friends accept the conclusion that Poe was a second-rate writer who met a disgraceful end as a drunkard. Everyone, in fact, seems to believe this except a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a passionate crusade to salvage Poe's.

As Quentin explores the puzzling circumstances of Poe's demise, he discovers that the writer's last days are riddled with unanswered questions the police are possibly willfully ignoring. Just when Poe's death seems destined to remain a mystery, and forever sealing his ignominy, inspiration strikes Quentin--in the form of Poe's own stories. The young attorney realizes that he must find the one person who can solve the strange case of Poe's death: the real-life...
Full Description:
   "I present to you . . . the truth about this man's death and my life."

Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. The public, the press, and even Poe's own family and friends accept the conclusion that Poe was a second-rate writer who met a disgraceful end as a drunkard. Everyone, in fact, seems to believe this except a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a passionate crusade to salvage Poe's.

As Quentin explores the puzzling circumstances of Poe's demise, he discovers that the writer's last days are riddled with unanswered questions the police are possibly willfully ignoring. Just when Poe's death seems destined to remain a mystery, and forever sealing his ignominy, inspiration strikes Quentin--in the form of Poe's own stories. The young attorney realizes that he must find the one person who can solve the strange case of Poe's death: the real-life model for Poe's brilliant fictional detective character, C. Auguste Dupin, the hero of ingenious tales of crime and detection.
In short order, Quentin finds himself enmeshed in sinister machinations involving political agents, a female assassin, the corrupt Baltimore slave trade, and the lost secrets of Poe's final hours. With his own future hanging in the balance, Quentin Clark must turn master investigator himself to unchain his now imperiled fate from that of Poe's.

Following his phenomenal debut novel, The Dante Club, Matthew Pearl has once again crossed pitch-perfect literary history with innovative mystery to create a beautifully detailed, ingeniously plotted tale of suspense. Pearl's groundbreaking research--featuring documented material never published before--opens a new window on the truth behind Poe's demise, literary history's most persistent enigma. The resulting novel is a publishing event that, through sublime craftsmanship, subtle wit, and devious twists, does honor to Poe himself

From the Hardcover edition.
Excerpts:
  From the book
      I remember the day it began because I was impatient for an important letter to arrive. Also, because it was meant to be the day of my engagement to Hattie Blum. And, of course, it was the day I saw him dead. The Blums were near neighbors of my family. Hattie was the youngest and most affable of four sisters who were considered nearly the prettiest four sisters in Baltimore. Hattie and I had been acquainted from our very infancies, as we were told often enough through the years. And each time we were told how long we'd known each other, I think the words were meant also to say, "and you shall know each other evermore, depend upon it."

And in spite of such pressure as might easily have pushed us apart, even at eleven years old I became like a little husband toward my playfellow. I never made outward professions of love to Hattie, but I devoted myself to her happiness in small ways while she entertained me with her talk. There was something hushed about her voice, which often sounded to me like a lullaby.

My own nature while in society as it developed was markedly quiet and tranquil, to the degree that I was often asked at any given moment if I had only just then been stirred awake. In quieter company, though, I had the habit of turning unaccountably loquacious and even rambling in my speech. Therefore, I savored the stretches of Hattie's animated conversation. I believe I depended upon them. I felt no need to call attention to myself when I was with her; I felt happy and modest and, above all, easy.

Now, I should note that I did not know that I was expected to propose marriage on the afternoon with which we begin this narration. I was on my way to the post office from the nearby chambers of our law practice when I crossed paths with a woman of good Baltimore society, Mrs. Blum--Hattie's aunt. She pointed out immediately that the errands of retrieving waiting mail should be assigned to one of my lesser and less occupied legal clerks.

"You are a specimen, aren't you, Quentin Clark!" Mrs. Blum said. "You wander the streets when you are working, and when you're not working, you have a look upon your face as though you were!"

She was your genuine Baltimorean; she suffered no man without proper commercial interests any more than she would tolerate a girl who was not beautiful.

This was Baltimore, and whether in fine weather or in this day's fog it was a very red-brick type of place, where the movements of the people on well-paved streets and marble steps were quick and boisterous but without gaiety. There was not much of that last quality in supply in our go-ahead city, where large houses stood elevated over a crowded trading bay. Coffee and sugar came in from South America and the West India Islands on great clipper ships, and the barrels of oysters and family flour moved out on the multiplying railway tracks toward Philadelphia and Washington. Nobody looked poor then in Baltimore, even those who were, and every other awning seemed to be a daguerreotype establishment ready to record that fact for posterity.

Mrs. Blum on this occasion smiled and took my arm as we walked through the thoroughfare. "Well, everything is quite perfectly arranged for this evening."

"This evening," I replied, trying to guess what she could be referring to. Peter Stuart, my law partner, had mentioned a supper party at the home of a mutual acquaintance. I had been thinking so much of the letter I anticipated retrieving, I had until then forgotten completely. "This evening, of course, Mrs. Blum! How I've looked forward to...
Reviews:
  Publisher's Weekly
     

May 1, 2006
Pearl's second historical thriller involving literary figures (after 2003's The Dante Club) is set in 1849, when young lawyer Quentin Clark's desire to burnish the tarnished reputation of his favorite author-poet, the recently deceased Edgar Allan Poe, drives him to such extremes he eventually winds up on trial for insanity and murder. His defense forms the novel. Singer provides Clark with a splendidly appropriate voice: young, intelligent, yet naïve and idealistic. He's also adept at capturing the attorney's shifting moods, from his indignation at journalists' shoddy sendoff of Poe (labeling him a debaucher and drunk) to an increasing obsession as he puts his practice and his impending marriage on hold, ocean-hopping to Europe to seek the aid of the real-life model for Poe's genius-sleuth, C. Auguste Dupin. Some listeners may raise an eyebrow at Singer's use of fractured French for one of the Dupins and an equally arch British accent for the other. They should be reminded that all of the characters are being filtered through the sensibilities (and vocal capabilities) of a not terribly sophisticated Baltimore barrister. Simultaneous release with Random House hardcover (Reviews, Mar. 13).

  Library Journal
     

April 1, 2006
Mild-mannered Baltimore lawyer Quentin Clark enjoys reading stories and poetry by Edgar Allan Poe. On hearing of Poe's sudden demise in the fall of 1849, Clark, shocked by the vilification of his beloved author in the popular press, decides to restore Poe's literary reputation. But he soon realizes that his investigation needs some professional help, and who better than the hero of -The Murders in the Rue Morgue, - C. Auguste Dupin, to assist? But who was the role model for Poe's fictional detective? Several candidates present themselves, and Clark is hard-pressed to deduce the identity of the real Dupin. As his obsession grows, he endangers his career, alienates his family and friends, and runs afoul of a gang of French thugs. In his second novel, Pearl ("The Dante Club") demonstrates a clear mastery of Poe mythology and uses his knowledge of 1850s Baltimore to excellent effect. Clark is a bit of a bumbler, and the various denouements tend to be ponderous. Still, this literary historical mystery should please fans; highly recommended for all fiction collections. [See Prepub Alert, "LJ" 1/06.]" -Laurel Bliss, Princeton Univ. Lib., NJ"

Copyright 2006 Library Journal, LLC Used with permission.

Creator Marketing:
  Matthew Pearl     
     

Matthew Pearl is the New York Times bestselling author of The Dante Club and the editor of the Modern Library editions of Dante's Inferno (translated by Henry Wadsworth Longfellow) and Edgar Allan Poe's The Murders in the Rue Morgue: The Dupin Tales. The Dante Club has been published in more than thirty languages and forty countries around the world. Pearl is a graduate of Harvard University and Yale Law School and has taught literature at Harvard and at Emerson College. He lives in Cambridge, Massachusetts. He can be reached via his website, www.matthewpearl.com.

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