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Jude the Obscure
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Jude the Obscure
Creators: Thomas Hardy, Jay Parini
Publisher: Penguin Publishing Group
Imprint: Signet
Pub. date: 05/07/2009
Lib. SRP: 2.45 USD
Ret. SRP: 6.95 USD
Format: Adobe PDF eBook
ISBN: 9781101102558
DRM Level: Adobe Content Server 4
Min. Version: Adobe Digital Editions
File size: 2068 KB
Grade Range: Grade 7 - Grade 8
Languages:
   English
Subjects:
   Classic Literature, Fiction
Keywords:
   1890s, 19th century, 19th century fiction, 19th century literature, academia, adultery, ambition, britain, british, british fiction, british literature, classic, classic literature, classics, death, dorset, education, england, english, english fiction, english literature, family, fiction, general fiction, hardy, historical fiction, incest, literary fiction, literature, love, marriage, naturalism, poverty, relationships, religion, romance, suicide, thomas hardy, tragedy, uk, victorian, victorian england, victorian literature, wessex
  null
Short Description:
   Upon its first appearance in 1895, Thomas Hardy's Jude the Obscure shocked Victorian critics and readers with a frank depiction of sexuality and an unbridled indictment of the institutions of marriage, education, and religion, reportedly causing one Angli-can bishop to order the book publicly burned. The experience so exhausted Hardy that he never wrote a work of fiction again.
Rich in symbolism, Jude the Obscure is the story of Jude Fawley and his struggle to rise from his station as a poor Wessex stonemason to that of a scholar at Christminster. It is also the story of Jude's ill-fated relationship with his cousin Sue Bridehead, and the ultimate tragedy that causes Jude's undoing and Sue's transformation. Jude the Obscure explores man's essential loneliness and remains one of Hardy's most widely read novels.
Full Description:
   Upon its first appearance in 1895, Thomas Hardy's Jude the Obscure shocked Victorian critics and readers with a frank depiction of sexuality and an unbridled indictment of the institutions of marriage, education, and religion, reportedly causing one Angli-can bishop to order the book publicly burned. The experience so exhausted Hardy that he never wrote a work of fiction again.
Rich in symbolism, Jude the Obscure is the story of Jude Fawley and his struggle to rise from his station as a poor Wessex stonemason to that of a scholar at Christminster. It is also the story of Jude's ill-fated relationship with his cousin Sue Bridehead, and the ultimate tragedy that causes Jude's undoing and Sue's transformation. Jude the Obscure explores man's essential loneliness and remains one of Hardy's most widely read novels.
Excerpts:
  From the book
      Part First at Marygreen

"Yea, many there be that have run out of their wits for women, and become servants for their sakes. Many also have perished, have erred, and sinned, for women. . . . O ye men, how can it be but women should be strong, seeing they do thus?" —Esdras.

I.-i.

The schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe1 lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher's effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house.

The rector had gone away for the day, being a man who disliked the sight of changes. He did not mean to return till the evening, when the new school-teacher would have arrived and settled in, and everything would be smooth again.

The blacksmith, the farm bailiff, and the schoolmaster himself were standing in perplexed attitudes in the parlour before the instrument. The master had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, the city he was bound for, since he was only going into temporary lodgings just at first.

A little boy of eleven, who had been thoughtfully assisting in the packing, joined the group of men, and as they rubbed their chins he spoke up, blushing at the sound of his own voice: "Aunt have got a great fuel-house, and it could be put there, perhaps, till you've found a place to settle in, sir."

"A proper good notion," said the blacksmith.

It was decided that a deputation should wait on the boy's aunt—an old maiden resident—and ask her if she would house the piano till Mr. Phillotson should send for it. The smith and the bailiff started to see the practicability of the suggested shelter, and the boy and the schoolmaster were left standing alone.

"Sorry I am going, Jude?" asked the latter kindly.

Tears rose into the boy's eyes, for he was not among the regular day scholars, who came unromantically close to the schoolmaster's life, but one who had attended the night school only during the present teacher's term of office. The regular scholars, if the truth must be told, stood at the present moment afar off, like certain historic disciples, indisposed to any enthusiastic volunteering of aid.

The boy awkwardly opened the book he held in his hand, which Mr. Phillotson had bestowed on him as a parting gift, and admitted that he was sorry.

"So am I," said Mr. Phillotson.

"Why do you go, sir?" asked the boy.

"Ah—that would be a long story. You wouldn't understand my reasons, Jude. You will, perhaps, when you are older."

"I think I should now, sir."

"Well—don't speak of this everywhere. You know what a university is, and a university degree? It is the necessary hall-mark of a man who wants to do anything in teaching. My scheme, or dream, is to be a university graduate, and then to be ordained. By going to live at Christminster, or near it, I shall be at headquarters, so to speak, and if my scheme is practicable at all, I consider that being on the spot will afford me a better chance of carrying it out than I should have elsewhere."

The smith and...
Reviews:
  Publisher's Weekly
     

July 29, 2013
The controversial tale of Jude Fawley and his unconventional relationship with his cousin, Sue Bridehead, is as fascinating today as it was when Hardy published the novel in 1895. Beautifully narrated by the gifted Neville Jason, this story of repression, judgment, and true love will appeal to listeners who love the classics. Jason’s proper tone and slow pacing is a perfect fit for Hardy’s prose. As Jude, Jason shifts his voice to become, by turns, optimistic and lovelorn, while the supporting characters are equally well crafted. The result is a truly memorable literary experience that demands repeated listens.

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